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Colbert’s brief opener last night on a new product for MAGA’s young Nazis, called “Not-See.”
I suppose it’s good that some prominent analysts are now calling a fascist a fascist, but still looks wild on the page/screen. Today, here’s Timothy Snyder, at The New Yorker:
What Does It Mean That Donald Trump Is a Fascist?
Trump takes the tools of dictators and adapts them for the Internet. We should expect him to try to cling to power until death, and create a cult of January 6th martyrs.
Here is what Trump said yesterday at a luncheon for Republican Senators at the new horror site of the old Rose Garden: “You probably hear the beautiful sound of construction to the back. You hear that sound? Oh, that’s music to my ears. I love that sound. Other people don’t like it. When I hear that sound, it reminds me of money.”
Meanwhile, over at The Guardian, this headline and graphic:
Scrutiny grows over Trump competence – but can an unfit president be removed?
Jeff Tweedy chatted with Colbert last night about new triple album, then played “Enough” but here is Web only posted later—fun cut that brilliantly apes the Velvets and is titled “Lou Reed Was My Babysitter.” Jeff has talked about Lou in chatting with Stephen earlier.
Awhile back, I noted that U2 was to receive the prestigious Woody Guthrie Prize for social activism at his museum in Tulsa, and this happened last night, with Bono and The Edge there to accept and play a few tunes, including below “Sunday Bloody Sunday” and “One.”
From Tunes to Toons
Jack Ohman:
Steve Brodner:
Adam Douglas Thompson:
Nick Anderson:
Ann Telnaes:
Matt Wuerker:
Matt Davies:
Clay Bennett:
Photo Finish
Continuing my new new feature, from my camera to you, today: “Owl Be Seeing You,” Goshen, N.Y. His name is “Woodstock.”
I love your posts every day, but I am thrilled with your gorgeous photographs. Thank you!
Gorgeous owl. And great links as usual. Thank you.